Music Hall Moments
Music Hall: 125th Anniversary Celebration

Cincinnati Enquirer Letters to the Editor

Best quote from the Letters to the Editor on Music Hall Moments to date:
"The Music Hall experience stories are certainly among the best articles featured in the Enquirer."
Dorothy Kemp, March 28, 2003

Alphabetical by last name search index
Click on names to go to letters
Alexander, Jeff
Arnold, Dave
Baston, Terri A.
Behle, John W.
Benjamin, Sylvia L.
Bramlage, Mary E.
Bradle, Michael and Melanie
Baston, Terri A.
Brigger, Sherry
Bruner, Barbara
Buck, Tom
Bunch, Martha L.
Caradine, Will
Clark, Joan
Didlake, Georgianna
Dachs, Millie
Derrick, Deedra Wadl
Eddy, Ann Hexamer
Espelage, Jack
Farley, Edna P.
Floyd, Judy Guilar
Feting, Kay (Dennis)
Gardner, Paul R.
Giesman, Maryellen
Godsey, James
Gillock, Ramona
Hatch, Eric
Hahn, Barbara
Herman, Don
Hopper, Mary Ruth
Kemp, Dorothy E.
Kircher, Robert
Klingshim, David A.
Lear, Gayle M.
Lee, Paul J.
Levinson, Ruth
Lewis, Judy
Libbin, Marilyn McClain
Longeway, Anne
Lorey, Dan
Meadows, Gary
McKibben, Jan Willen
Merwin, Louise
Mountain, Maury, Jr.
Neess, Ann
Niemeyer, Virginia
Nimmo, Bill
Osterman, Tom
Paddock, Charity
Pfister, Wilma
Poe, Ruth
Polasky, Les
Popp, Hazel Hieber
Powers, Betty
Reinmann, Kathleen Friel
Reynolds, Dean
Richer, Jan
Roberts, Jerri
Roberts, Karen
Roth, Ephraim
Schuck, Julianne
Shelton, Erma
Sicking, Jim
Sovilla, Sally Evans
Steffen, Paul
Strand, Gabrielle Rosselot
Thomas, Jim
Warner, Eve Neighbors
Witherby, Robert
Wright, Barbara

Wednesday, February 19, 2003

Anniversary inspired classical music hall
It was at the 100th anniversary of the Cincinnati Symphony Orchestra in April 1995 that on stage were four international conductors, Jesus-Lopez-Cobos, Michael Gielen, Erich Kunzel and Keith Lockhart, and three international performers, Itzhak Perlman, Mstislav Rostropovich and Richard Stolzman.

It was at this time that Cleveland was opening up their Rock and Roll Hall of Fame with a lot of publicity and fanfare. I thought to myself, is there a Hall of Fame for classical music? This began my quest to begin the American Classical Music Hall of Fame. Everyone I interviewed said, "If there is not a hall of fame for classical music, there should be."

Now eight years later and five induction ceremonies completed, the American Classical Music Hall of Fame has become a major force in classical music nationally and internationally. Without the Cincinnati Music Hall experience, none of this would have happened. I often say to people, "Cincinnati is major league baseball and football, but more importantly, Cincinnati is major league music."

David A. Klingshirn
Founder Classical Music Hall of Fame

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Hall brings back memories of events
I think of two events from the 1950s:
- I participated in a program where high school students carried flags of all the countries of the world. The one I carried was Afghanistan.
- I was with the symphony orchestra. A good friend took my sister and me to see Mario Lanza.

Virginia Niemeyer
Harrison

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Great music paved way for career
I was a lucky kid. My mother and dad introduced me to great music at Music Hall and the Zoo Opera.

I studied voice at the old Conservatory of Music on Highland Avenue. I sang with the shortlived Cincinnati Light Opera Company.

My career, of course, was in radio and TV in New York and Hollywood "working" with people like Johnny Carson, Jackie Gleason, Jack Lemmon, and Arthur and Kathryn Murray.

Bill Nimmo
Milford

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Free ticket led to music career
My first opportunity to hear a live concert came during the 1938 season of the Cincinnati Symphony. My Sycamore High School English teacher gave me a ticket to an afternoon Pops Concert of the Symphony. I was spellbound by the sounds I heard coming from the orchestra that afternoon.

They played the Peter Pan Suite by Dr. Carl Hugo Grimm, a professor at the Cincinnati Conservatory. I knew at that moment that I wanted to be a part of this wonderful world.

Years later, I became a composition student of Dr. Grimm's and he gave me a copy of the orchestral score of that "Peter Pan Suite."

I later applied for a scholarship to the Cincinnati College of Music, which was adjacent to Music Hall. Many of my instructors were members of the Cincinnati Symphony. During my second year in college, I was given the opportunity to usher for the Friday afternoon concerts of the CSO. As the concerts began, I took any seat that was vacant in the first row.

In 1951, I left the Ted Weems Orchestra and entered the Cincinnati Conservatory of Music. Eventually, I became the leading baritone with the Cincinnati Music-Drama Guild. This leads me back to Music Hall. Dr. Thor Johnson and the CSO joined with the Cincinnati Music-Drama Guild in presenting the world premiere of Vittorio Giannini's opera, 7he Taming of the Shrew. I was fortunate to have the leading role as Petrucchio.

Through arrangements with the Voice of America network, that performance was broadcast to Radio Free Europe. We were being recognized all over the world as a great musical center. .

Robert Kircher
Price Hill

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Wednesday, February 26, 2003

Sprinting to prom made sweaty picture
Thirteen years ago, my husband, Halleck, and I were going on our first date at Music Hall: the Walnut Hills High School Class of 1990 Senior Prom.

After securing Hal's father's car, then dining at Top of the Crown, we drove down Central Parkway, parking near the current police station. It was 10:55 p.m. when the chaperones would lock the doors for the night. We assumed what we know now as the back doors to be the front doors. Pulling on all the locked doors and checking all the nooks on the back of Music Hall, we decided to run as fast as we could to the other side, where we sprinted up the steps in our sequins and tails.

Just as the parents were locking the doors and the photographers were closing up, we stepped in front of the camera for our first photo together. To this day, people joke about how sweaty we looked in our prom picture.

Charity Paddock
North College Hill

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Music Hall memories all about Peter Noone
My memories of Music Hall involve Peter Noone of Herman's Hermits and my daughter. For my 13th birthday, in 1966, my parents allowed me to take five girlfriends to the Herman's Hermits concert at Music Hall. There were two opening acts, The Who and The Blues Magoo. In her teen years, my daughter and her friends were quite impressed that I had seen The Who in concert - until they found out that I couldn't wait for them to be finished so that I could see Herman and that The Who was not the main attraction.

Then a few years ago, Peter Noone was the emcee for the flood benefit concert held at Music Hall, featuring several groups from my era. I won tickets on the day of the concert. I was excited that my daughter would get to share with me seeing my "idol" from the '60s. Much to my delight, she did like him, even thought he was still cute. She turned to me and said, "He has a lot of energy for someone his age."

Judy Lewis
Blanchester

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Skitch Henderson urged saving hall
I have many fond Music Hall memories of outstanding performers and wonderful music.

One memory in the mid-1960s stands out: Skitch Henderson's plea. The physical condition of Music Hall was obviously deteriorating. Their were rumors that Music Hall was to be demolished. The stage was in such bad shape a plywood runner was used to reduce squeaking when performers walked on it and, the rumors said, to prevent someone from falling through the floor.

Henderson returned from intermission, sat down at his piano, and was poised to resume the concert when, suddenly, he stopped, and walked to the front of the stage. He looked at the plywood and the sad condition of the interior of Music Hall. He shook his head. Then he asked the audience if they knew what a magnificent gem they had in Music Hall.

He had heard the rumors about tearing it down. Then he asked if there were any Cincinnatians who cared enough about Music Hall to save it and restore it to its past glory. He ended by saying once Music Hall is gone, it can never be truly replaced.

Not long after that evening, J. Ralph and Patricia Corbett committed millions of dollars to save, restore and preserve Music Hall. I think about Skitch Henderson's plea when I visit Music Hall and would like to believe his comments played at least a small role in her preservation.

Jim Thomas
Wyoming

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She discovered ballet at Music Hall as child
My first memory of Cincinnati Music Hall was to see a man performing on skis. He stood atop bales of straw and slid down the bales on his skis. I remember many people watching this event. I had no idea what was going on at the time, but I knew my parents were excited about this accomplishment.

Another memory was when my maiden aunt, Aunt Mayme, took me to see the ballet of "Peter and the Wolf." What an exciting event that was! I was dressed in a little burgundy velvet dress my aunt made for me. I felt special in my new dress as this was a special day for me. We climbed the beautiful staircase which seemed like a "Staircase to Heaven." I remember thinking, am I ever going to get to the top of the stairs? The year may have been 1937 or 1938. This experience was a great introduction to one of the arts in this wonderful old city. I not only saw a beautiful ballet, but I was inside this gorgeous old impressive building.

Recently I had the opportunity to visit Cincinnati Music Hall as my cousin told me she was going to a Pop concert there. A gentleman, who attended grade school with me, was able to purchase tickets to attend Eric Kunzel's Patriotic Concert on Saturday.

Georgianna M. Dachs
Buffalo, N.Y. (Formerly of Kenwood)

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Music Hall produced beautiful memories
I can remember as a child in the fourth grade at Pleasant Ridge Public School, my class going to a series of Pops concerts at Music Hall. How my mother always dressed me in my best clothes and how excited I was to be going downtown to the concerts. I believe there were five in all.

Many years later in 1940, I remember my graduation from Withrow High School and at that time Withrow was one of the largest high schools in Cincinnati. We had to hold our graduation exercises in a large enough hall to accommodate about 400 graduates.

How lovely were all the seniors. The girls in long white dresses and the boys in dark suits. Such an impressive occasion. Such beautiful memories.

Anne Longeway
Sycamore Township

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Saturday, March 1, 2003

Music Hall ceremony holds family memory
The happiest night of my life took place in Music Hall. My high school held our graduation ceremony there, in 1978, coinciding with the Hall's 100th anniversary. The magnificent surroundings added grandeur to an already exciting evening.

I had been chosen to speak, and I can still remember standing on that historic stage that still echoed with a century of talented performers, my own future brimming with promise.

The evening was even more special because it took place on my father's birthday. That lovely night seems even sweeter in retrospect. I would write other speeches, graduate from medical school, but this would be my father's last birthday. Within weeks of starting college, he was hospitalized with cancer; he died before the end of my first semester.

For me, the history of Music Hall will always included the last celebratory night of my family.

Karen Roberts
Lancaster, PA., Formerly of Montgomery

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Who could forget all those paper planes?
When I was young, my grandfather lived on Vine Street just above 14th Street, less than a mile from a gigantic, redbrick building that haunted my imagination.

Through some 60 years, I've been there hundreds of times to enjoy operas, concerts and ballets. Once I even attended the roller derby in the North wing. But my defining moment at Music Hall came at a much younger age.

One spring afternoon when I was 10 or 11, my class was bused to Music Hall for a children's concert under Eugene Goossens. With three or four friends, I raced up to the top for seats in the gallery where we received our one-page programs. Attention spans being what they were even then for youngsters, the audience grew a bit restless. That set the stage for a scene that still lives vividly in my thoughts.

Some kid discovered that the programs made ideal paper airplanes and sent one soaring in a graceful spiral all the way from the gallery to the first floor. The idea caught on, and suddenly the auditorium was filled with a blizzard of white airplanes.

The music I have forgotten, but I'll never forget the white paper snowstorm.

Tom Buck
West Chester

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Music Hall was special grown-up treat
When I was in the fourth grade, almost 30 years ago, my best friend's parents had tickets to the symphony at Music Hall quite often. On occasion they couldn't go, and would treat her and me to the tickets.

We both used to get all dressed up, and her mother would drop us off at the front steps of Music Hall, and we would find our way to the seats. I remember falling sound asleep one time and waking up only because the audience was clapping at the end. I guess I found this so memorable because we felt so grown up to be going out alone to such a beautiful place.

Terri A. Baston
White Oak

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Friday, March 7, 2003

Music Hall graduation was unforgetable
While in grade school, I was envious of those who were often dismissed early on Fridays to attend the children's concerts at Music Hall. I was never there very often but was thrilled when my senior class at Withrow High School held its graduation ceremony at Music Hall in 1941.

It was so beautiful as the girls in their white dresses carrying bouquets of red roses marched down one aisle while the boys in dark pants and white jackets marched down the other. I remember the wonderful evening we had when the parents of one of my friends treated four of us to dinner at Beverly Hills after the ceremony. High school was an experience of great joy for me, but war was looming over us at that time, and one of the young men who was with us that evening was the first Withrow graduate to be killed in World War II.

Ann Hexamer Eddy,
College Hill

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From 'Nutcracker' to Big Band era

My first memory of Music Hall was in 1947 when our class went there to hear a concert. I still remember how excited I was to be able to go to such a beautiful place. I heard the "Lincoln Portrait" for the first time. I knew then that I would make Music Hall part of my life. I remember the wonderful ballroom where, as a young, single adult I enjoyed the music of the Big Band era. My high school graduation and dance was held there in June of 1952. I introduced my children to Music Hall and classical music through the "Nutcracker." Thanks for the memories, Music Hall.

Ramona Gillock,
Bridgetown

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Imagine: Concerts for only 55 cents

Does anyone remember the College Symphonic Concerts? The only series I attended was held during 1942-1943. The season consisted of four concerts each on a Sunday afternoon at 3 p.m. These concerts were designed especially for students and young adults.

As I recall, Music Hall was not even filled to one-fourth capacity, but certainly not because of the prohibitive price of $2.20, including tax, for the entire season; it is difficult now to even imagine 55 cents concert.

Eugene Goossens, then conductor of the Cincinnati Symphony, took a few minutes to introduce each work. The selections he chose were beautiful, interesting and varied. The second concert even included his own symphony. There was always a young talented musician as soloist on each program. It was a wonderful experience and truly an excellent introduction to the classics.

Paul J. Lee
Mason

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Famous entertainers, and my daughter, too

I would have to put Erich Kunzel, the Pops and his guests at the top of my list. Duke Ellington, Dave Brubeck, who debuted his "Oratorio," Ray Charles and Cab Calloway come to mind first, also the PBS specials, previews of albums, and many more. Then there was taking my daughter to the "Nutcracker" and seeing her play for graduations, and then her own graduation from St. Ursula on the same stage that all these famous people had played.

Jim Sicking
Monfort Heights

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Memories of diplomas, roses
I have several memories of Music Hall. It was in June 1943, when my Hughes High School senior class of over 500 students held its graduation ceremony at Music Hall. I was the first girl to arrive. My father had called a taxi to take us there, but it never came. At the last minute my cousin, who lived a block away drove us downtown. I rushed to get in line and was given the last of the roses - a half-dozen instead of a dozen. I remember looking at the sea of faces from the stage. The next day the florist gave me a dozen fresh red roses and I had my picture taken at a studio.

Fifty-one years later I attended my granddaughter's graduation in that beautiful auditorium which had been recently refurbished. That was a proud moment.

Music Hall is such a magnificent place. I hope it will still be used another 125 years from now.

Ruth Poe
Colerain Township

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1928 May Festival still stands out
My maiden name is Louise Frankenstein, and I went to Chase elementary school for eight years. When I was in the fifth year and 10 years old, our music teacher chose about eight or 10 children out of our classes to sing in the May Festival at Music Hall. At the time, her father was the conductor.

My mother took me to Rinslers' photo store downtown and had my picture taken. She also made my white dress for the occasion. She and my grandmother paid $2 apiece to hear me sing.

At the end of the performance, we all received a large can of Christmas hard-tack candy in payment.

I am 84 years old, so this happening was in 1928.

The principle at Chase took us all to Music Hall about twice a week, for months, to practice.

Louise Merwin
Dent

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'And we shall be changed'
This would have been in 1974 or 1975. I was singing a performance of "Elijah" in the May Festival Chorus. We were in suspense for two reasons. Would the boy soprano's voice change before the end of the piece? And would the weather hold up?

We had reached a critical point in the performance, where amidst tumultuous music, the chorus sings, "He rode a whirlwind to heaven." Just at that moment, there was an enormous clap of thunder and a gale that howled audibly above the performance. A coup de theatre nobody could have arranged!

A second memory is from an orchestra rehearsal for the "Messiah." John Shirley-Quirk was the baritone. He was singing, "The trumpet shall sound," and James Conlon, wishing to go into the hall to check the balance, handed his baton to Keith Lockhart without missing a beat. Shirley-Quirk was looking at his music. Suddenly he looked up and saw what had happened, and gave a special emphasis to the line "and we shall be changed!" The entire chorus and orchestra broke up laughing.

Eric Hatch
Loveland

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Saturday, March 15, 2003

Tucker car made for great first memory
In 1948, I was visiting my sister. I decided to go for a walk in downtown Cincinnati. As a boy of 16 from southern Kentucky, going downtown was an adventure.

Living on 15th Street, near Elm Street, my route took me by Music Hall. I could see a lot of people gathered around a new car. I went over and took a look. It was a new Tucker automobile. Ramps were put up the front steps, and it was driven into the building. I was impressed by its power as it climbed the steps and was put on display inside. I was among the few people to get a preview of such a beautiful car. It was put on display, and that was my first visit to Music Hall.

James Godsey
Montgomery

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First time at symphony still vivid experience
My favorite memory of Music Hall was my first visit back in 1939. I was attending Hanover College in Indiana, and my college friend wanted me to spend a weekend with her folks in Cincinnati.

Her sister took us to the symphony that night. This was my first visit to a big city, and my first symphony experience. The whole evening was unforgettable, and I was in awe of the ladies in their formals and men in tuxedos. Everyone was dressed so elegantly, and this small-town girl was completely thrilled by the glamour and the beautiful music.

I started teaching in this area in 1946, retired in 1979, and this coming year will be my 25th anniversary as a CSO subscriber to the Friday morning concerts.

Martha L. Bunch
Fort Wright

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Appearance in opera remains unforgettable
I have many wonderful memories of many moments in that glorious building called Music Hall. As a little girl, my parents took me to view boxing matches and roller derbies. My grade school went for a concert and sat in the balcony. I think I was more interested in the candy that was being passed than what was transpiring on stage. Then there was high school and a prom in the Music Hall ballroom.

This year it will be 50 years of visiting Music Hall. In those 50 years, I have enjoyed glorious music, wonderful ballets and great operas. I served as president of the Women's Committee of the Cincinnati Symphony Orchestra, and in that capacity I had the privilege of presenting watches to orchestra members who performed with the orchestra for 25 years.

But I will never forget was opening night, Aug. 2, 1978, when I walked on Music Hall stage as the Grand Duchess of Anastasia in Sigmund Romberg's opera Student Prince to a sold-out house. My opening line was, "What does this mean - how dare you keep me waiting," but for one second I went blank. That awful and horrendous moment seemed like hours and those so-called butterflies flew out of my stomach in droves. The line did come out of my mouth and the opera was a great success.

Sylvia L. Benjamin
East Walnut Hills

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Monday, March 24, 2003

'Patriotic' Pops flags were made in China

On Feb. 22, there was a Pops concert at Music Hall called, "A Patriotic Celebration."

It was being taped for TV. They passed out little plastic flags for everyone to wave and show their patriotism. The only problem is the American flags have the words "Made in China" printed on them.

Whoever is in charge of purchasing these flags should show some patriotic spirit of their own and buy flags made here in the U.S.A.

Gary Meadows
White Oak

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Take advantage of local treasure
My Music Hall memories began in 1984 when I joined the administration of the Cincinnati Symphony Orchestra as Director of Regional and Educational Programs. I was fortunate to become general manager of the CSO and the May Festival in 1988 and spend a total of 16 years working with all of the wonderful people in the CSO and May Festival families - in our beloved Music Hall.

The professionalism and week-to-week commitment to excellence by the board of directors, music directors, musicians, choristers and staff of these two organizations will live with me forever.

I encourage everyone in the region to take advantage of these most enjoyable and moving events. If you attend on a regular basis, you know exactly of what I speak. If you do not, you don't know what you are missing. Treat yourself and enjoy.

Jeff Alexander
President and general manager
Vancouver Symphony Orchestra

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Mario Lanza sang at Music Hall
My favorite memory of Music Hall is when Mario Lanza sang there in April 1951.

Most people don't recognize his name. To me, he was and always will be the greatest singer who ever lived.

When I visited the Mario Lanza Institute and Museum in Philadelphia, I talked to the person working and told her that I had seen him in Cincinnati. She said I was the only person that she knew of who had seen him in person.

Betty Powers
Covington

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Anyone else recall Music Hall ski jump?
It was in the '30s - I was about 7 or 8 - a flower show or sport show was being held at Music Hall using both sides of the main building. Outside on the sidewalk a ski jump had been erected, and in the evening some skiers would jump. It was not very high but enough to put on a show.

In trying to find out more about this, I came to a dead end. No one had ever seen or heard of it. And of course my parents are no longer around to verify this story. Maybe some readers of my era would remember something about this.

Millie Didlake
Anderson Township

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Child's laughter during play was memorable
I have lived in Cincinnati all of my life and have many wonderful memories of visiting Music Hall. My favorite memory is of the time my husband and I took our two sons, ages 6 and 4, my mother-in-law and sister-in-law to The Nutcracker for the first time. The boys were all dressed up and, I have to confess, I was a little worried about how they would act during such a long performance. Maybe they were too young for this type of experience.

We were sitting in the balcony as the lights dimmed and the performance began. I started to relax as the townspeople started across stage on their way to the party. Then, as the old woman started slipping and sliding across the stage, I heard a little giggle coming from the seat next to me. As the old woman continued her antics, the giggle turned into a loud belly-laugh - my 4-year-old son was in stitches.

Now, my son had a wonderful, deep laugh when he was a small child, but I wasn't sure how the rest of the audience was enjoying it. After all, this was the ballet at Music Hall. After only a few seconds, the people around us all started joining in the laughter. I'm sure it was the most unusual and most memorable opening to The Nutcracker the Cincinnati Ballet had ever experienced.

Jan Richer
Sharonville

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Dream of entering Music Hall fulfilled
I was born Aug. 9, 1933, at 120 Findlay St., and later moved to Elder and Logan streets. Mom used to walk us everywhere. I remember passing Music Hall a lot and always thinking, "Wow, these people are rich, but I will someday hopefully go there."

I now do professional ballroom dancing . We go to Music Hall in the spring and the fall. I never go through the doors without remembering the "little girl."

Joan Clark
Batavia

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Friday, March 28, 2003

Experiences highlight need for arts in life
One of the greatest experiences I have ever had and treasure the most was the year I volunteered as an usher at Music Hall. My high school orchestra teacher arranged it. As an usher I saw the performances for free, watched pre-show rehearsals and post-performance receptions, was allowed backstage, and experienced the grandeur of the hall's architecture. It was an amazing opportunity that has given me a lifelong love for the arts. My favorite memories are: 1. When Carmon de Leone asked me to stand outside his green room door after a concert and said "Don't let anyone in," while I was allowed to be the only one to hear the private melody from his grand piano through the door. I still have his autograph. 2. When Martin Mull asked me to sit in the front row while he rehearsed before his show. He was fun, and he let me take his picture, which I also still have.

But I first fell in love with Music Hall in second grade when my music class went there on a field trip. I remember sitting in the balcony before the concert, dazzled by the great chandelier. Then when I saw the musicians, dressed in clean black and white, and heard the sound that only an orchestra can create, I was hooked! Let this be a testament to the great importance of having the arts, and music, in our educational curriculum. It brings such great dimension to young minds, in such profound and diverse ways that we may never know, yet enriches our fives in exponential ways.

Barbara Bruner
Ocala, Fla.
Formerly of Cincinnati

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Remembers hearing Rachmaninoff play
My daddy took me to the, symphony at Music Hall when I was a young girl. We were all dressed up for the occasion - at that time most people came in formals.'We sat in the front center, close to the stage.

Sergei Rachmaninoff was performing, and I can still picture in my mind how he looked. He was very tall and slim and had shortcropped, light brown hair and very long fingers. He ended the program by playing his famous "Prelude in C# Minor." It was thrilling.

Since becoming an adult, my husband and I have attended the symphony regularly for over 50 years.

Hazel Hieber Popp
Fort Thomas

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Accordions were up, down, but part of CSO
The Music Hall experience stories are certainly among the best articles featured in the Enquirer. Here is my 1976 experience. Jack Wellbaum, personal manager of CSO called me. Jack needed me to play the accordion for a compositon by Peter Tschaikovsky, "Suite Characteristique No. 2," which features four accordions in the third movement.

When we four accordions came onto the stage with all the other musicians, they welcomed us as if we were royalty.

Guest conductor Henry Lewis said we should stand while playing our parts, and sit down when we finished. This required us to stand and sit four times for the whole passage.

Concert night arrived. the third movement arrived. We did our up-and-down appearance and disappearance. And, at the end of the fifth movement, the whole CSO welcomed thunderous applause.

Then, for the next weeks, I'd hear from my friends and others including my dermatologist - "Did I see you and three other accordions in the CSO at the last concert?" I said, "You sure did," and then told this story.

Dorothy L. Kemp
Northside

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Wednesday, April 2, 2003

Watched TV with Janis at Music Hall
I saw a lot of concerts at the Music Hall. One that I will always remember is the Sacred Mushroom/Big Brother and The Holding Company with Janis Joplin on October 14, 1968. In the middle of the show Janis had a portable black and white TV towards the audience. We all giggled as we watched a video of The Beatles singing, "All You Need is Love" on The Smothers Brothers Comedy Hour show. I still have that ticket.

Dean Reynolds
Milford

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Beautiful music a favorite memory
My best childhood memory was at the Music Hall in about 1952. Some of my classmates were attending a special children's symphony program. I couldn't attend on my own for lack of money. Every now and then someone was unable to attend, and my teacher picked me to go in his or her place. The music that was heard at age seven or eight was just heaven to my ears. I've never heard anything so beautiful. That teacher and the music will always be with me.

Maryellen Giesman
Norvood

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Jimmy Hoffa on center stage
Jinuny Hoffa on stage in the music Hall?The late Teamster president was there, one hot Sunday evening in August of 1961. So was I, one of many , reporters covering his appearance. The late Jim Luken's dairy drivers had left the Teamsters for the AFL-CIO, and Hoffa was in town trying to discourage further departures. WCKY had featured the two in a news program that afternoon and I had been a panel member.

The feisty Hoffa got upset over news coverage during his Music Hall speech, grabbed the media microphones near the speakers platform and thumped them down on the floor, proclaiming that the reporters were just going to put on the air what they wanted to, not everything he was going to say. While this was going on, some of Hoffa's associates were playing cards at a table behind the curtain.

In later years I would attend other dramatic but more musical events at the Music Hall, including Max Rudolfs "Beethoven Cycle" in the 1960's and Paavo Jarvi's excellent performances now.

Don Herman
Anderson Township

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Family enjoyment for four generations
I grew up hearing stories about Music Hall from my father, Saul Shuller. Back in the '30s dad was a piano major at the Conservatory of Music which, at the time, was next door to Music Hall.

One of his favorite tales took place when he was a student. It was his legendary (and mandatory) appearance in the ballet "Petrouchka," on the huge concert hall stage, without any rehearsals. The ballet master was in the orchestra pit jumping around and yelling out directions. He said nobody knew what they were doing but it seemed to work. Many years later, having attended numerous performances and events at Music Hall, I got my big break. I was chosen to be a "super" in Cincinnati Opera's 1974 production of "Robeito Devereaux" starring Beverly Sills and John Alexander. Mother and Dad were in the audience along with my husband and children. That experience will live in my memory forever.

However, I was never so thrilled to be in that building as when our 3-year-old granddaughter was asked to be one of the flower presenters at the finale of the 2002 May Festival. All decked out in a long white organza dress and a garland in her hair.

Barhara Hahn
Indian Hill

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Marian Anderson was inspirational
On a Sunday afternoon in the late 1940's, Marian Anderson presented a concert at the Music Hall. She was wearing a light blue sheer evening gown with a long train, which she maneuvered with elegance and grace. I was enraptured by her stage presence and glorious voice.

Seeing and hearing Marian Anderson is person has deepened my appreciation for great music and sustained my profound desire to look representative at all occasions.

Edna P. Farley
North Avondale

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Wednesday, April 9, 2003

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History improves Music Hall experience

Music Hall has been a link to Cincinnati's history for me. My grandfather, John J. Behle, was manager of Music Hall in the 1920s and early 1930s, and I grew up hearing how Music Hall was Cincinnati's first convention center.

I loved the stories he would tell me about the range of events he helped put on. There were home shows in which an actual house would be constructed inside Music Hall. There were boxing matches, car shows, and the huge Municipal and Industrial Exposition of 1935, a virtual world's fair of science, art and commerce. The program I have states: "Exhibiting every phase of city, county, state and federal government and public institutions."

He also had stories from the old-timers of his day telling of the national political conventions of the late 1800s and of Cincinnati hosting the presidential nominating conventions several times at Music Hall. There were people who still remembered the canal running behind the back of the building (where Central Parkway is now) and the smell of the stagnant water.

When I walk across the paving stones of Elm Street into Washington Park, seeing the front edifice of this landmark conjures up the horse-and-carriage elegance of 125 years ago. When I attend the opera and symphony, the music is made better by the poignancy of the history.

John W. Behle
Union

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Ushering jobs led couple to wedding aisle

In the early '60s, we University of Cincinnati College-Conservatory of Music students would go down to Music Hall an hour before symphony time and usher. For our efforts, we could take any unoccupied seat in the house.

It happened one evening that some young gentlemen from Xavier University and UC's College of Medicine were ushering also. After passing each other in the aisle many times, one of the boys asked to take me home after the concert. Our interest in music and each other matched very well, and for two more years, our dates usually were ushering and enjoying a symphony concert.

Thirty-five years ago we were married and, needless to say, we have been subscribers to the opera, CSO and Pops for more than 25 years. Recently, we have enjoyed having our son, a UC medical student, join us for the symphony concerts.

Mary E. Bramlage
Indian Hill

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Screams prepped her for big performance

After having sung in the Opera Auxiliary Chorus for Aida (1995 and 2000), I was thrilled to be invited back in 2001 for the production of Nabucco.

On dress rehearsal night, the chorus was offstage during a scene change, waiting to take our places when we heard a blood-curdling scream. I could only think someone was being killed. In actuality, it was one of the stage crew having caught his hand in the hydraulic lift. Later, we learned that while it was certainly a serious injury, he would heal, but at the time it was terrifying. Mentally, we felt duly prepped for the sacrificial Va Pensiero scene which followed.

Sherry Brigger
Landen

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Speaker collapse made concert-goers take note

My favorite of many memories at Music Hall took place in the late 1970s.

Jimmy Buffett, who had just started garnering attention with his platinum and gold releases, came to Cincinnati to perform on the venerable Music Hall stage.

His band was center stage, Jimmy was up front, and on both sides of the stage were speakers piled on top of one another. Suddenly, one of the speaker towers came tumbling down (luckily no one on stage or in the audience was hurt). However, it certainly made one to sit up and take notice.

Jerri Roberts
Wyoming

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Sir Bing was right; Music Hall best venue

Many years ago, I heard Sir Rudolph Bing, the general manager of the New York Metropolitan Opera from 1950 to 1972, lecture at Chautauqua Institution's huge amphitheater. After the lecture, he answered questions from the audience. One of the questions was, "If you had to choose the world's finest orchestra, conductor, music hall, which would you choose?

After a long pause he answered, "The world's finest orchestra? It's difficult to pick a favorite. Maybe I could narrow it down to three. The world's finest conductor? There are so many great conductors it's impossible to choose just one. The world's finest music hall? That's easy, without a doubt, it's Music Hall in Cincinnati."

We moved to Cincinnati 12 years ago and couldn't wait to visit Music Hall. We agree with Sir Rudolph Bing.

Ruth Levinson
Wyoming

Tuesday, April 15, 2003

Music Hall raised court for UK Wildcats

It was 1948 or 1949 when legendary Coach Adolph Rupp brought the Kentucky Wildcats' fabulous five to Music Hall. They played a team from New York.

The basketball court was built up about 4-feet high, and at one point Ralph Beard chased a loose ball and ran right off the edge of the court It didn't bother him, because he climbed right back up.

This was about the only cultural event I ever attended at Music Hall.

Paul Steffen
Southgate

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Music Hall was big part of skating event

The winter of 1987 was a very special occasion for the Queen City. Cincinnati was the last city for the World Figure Skating Championships. Various groups provided volunteers to assist in this premier event, such as Kindervelt, the Queen City Figure Skating Club and the Figure Skating Club of Cincinnati.

A preliminary function for every competition is the draw ceremony, at which each competitor draws a number to determine the sequence of performances. Usually this is done in a room with only the skaters and officials present. However, here in Cincinnati, it was on Music Hall's stage. All competitors marched into the hall to the sound of music furnished by students from the School for Creative and Performing Arts under the direction of Jack and Susie Louiso.

Before the actual draw, all were entertained by dancers and singers from the Music Theater Company.

Robert Witherby
Madison Place

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I was stuck in front of Music Hall - literally

In the late '50s, I was a college student at Mount St Joseph. I sang with some of the big bands in Cincinnati. It was May Festival time at Music Hall, and many of the glee clubs from the surrounding colleges and universities were to sing with the May Festival Chorus.

One evening, I had to sing with Chris Christenson's Band for a dance at Music Hall ballroom. The director of our glee club gave me permission to leave at intermission of the May Festival performance to run to the ballroom and sing with the band. I was in such a hurry that my 3-inch heel got caught in the crack of the sidewalk, and my foot came flying out of it. I raced back to retrieve my shoe, but it was stuck. Eventually a Cincinnati policeman carefully removed my shoe from the crark.

I never pass Music Hall when the shoe experience does not cross my mind - and my knight in shining armor who saved me from singing in my stocking feet.

Gabrielle Rosselot Strand
Middletown

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Tuesday, April 20, 2003

Music Hall backdrop for 2-year courtship

Music Hall is where my future husband, Fred, and I met on a rainy New Year's Eve in 1936.

The great 1937 Ohio River flood soon followed, affecting both our homes in Newport. My house was flooded to the windowsills on the first floor; his was covered. We took refuge from the water with relatives in Westwood and Sharonville where acquaintance became romance.

During a two-year courtship, we frequently danced to music of the big bands in the Music Hall ballroom.

Our wedding was New Year's Eve 1938.

An etching of Music Hall hangs on my living room wall. May that notable building stand forever.

Kay (Dennis) Feting
Rochester, Minn.

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Bob Dylan offered powerful performance

One of the most memorable moments of my life and certainly the most musically influential was watching Bob Dylan's appearance at Music Hall on Nov. 7, 1965. My $2.50 ticket allowed me to witness a performance so powerful that it would ingrain the name Dylan as a permanent fixture in my life for the next 38 years.

The first half of the concert was simply Dylan singing with his guitar and harmonica. The second half was Dylan fully plugged in with amplifiers and drums. This was considered the time he changed the course of rock music forever and went on to be considered the spokesman of his generation and one of Time magazine's 100 most influential people of the last century.

I remember when a friend told me I should know the Bible the way I know Dylan's lyrics. I'm still working on it.

Other memorable concerts at Music Hall: The Who and the James Gang, Bette Midler, Barry Manilow.

Paul R. Gardner
Mason

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Peter, Paul, Mary loved the acoustics

My favorite Music Hall memory was formed on Feb. 17, 1980. Despite a difficult pregnancy and a fever of 103 degrees, I was determined to take my husband to a Peter, Paul and Mary concert at the Hall for his birthday. The standing-room-only crowd swayed and sang along with this memorable trio; the mood was mellow and nostalgic. Most of us in attendance were former "flower children" who enjoyed the music of the folk era.

The highlight of the evening occurred when Peter Yarrow praised the perfect acoustics of the building and announced that for a few songs the group would perform a canella. The audience was totally entranced by the crystal-clear harmony emanating from the singers. I had been to four previous PP&M concerts, but the venues in which I had heard them did a disservice to their talents. How fortunate were we to have a concert hall that allowed music to be heard as it was truly intended.

The singers were evidently just as moved as we were; and at the end of the performance, Peter invited the entire crowd to join him backstage for chatting and autographs.

I still have my ticket with the signatures of Peter, Noel Paul Stoke and Mary Travers.

Julianne Schuck
Highland Heights, KY

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Class trip brought students into grandeur

My first introduction to Music Hall was to a special school production of the Cincinnati Symphony in 1947. I was one of many underprivileged children from Over-the-Rhine area schools chosen to go.

I was in the third grade, and this was a great privilege. I had never heard of Music Hall or a symphony, but I was excited about going. My first impression was that a king or queen must surely live in such a great and beautiful building. I was awestruck at the dazzling chandelier and the red velvet seats. I loved the lady playing the harp and the violinist. The music was beautiful. I dreamed of returning someday to this beautiful place.

On March 29, to celebrate our 34th wedding anniversary, my husband and I enjoyed Symphony No. 10 directed by Paavo Jarvi. It was my husband's first visit. I certainly hope this grand old building of Music Hall will be apart of Cincinnati for future generations of children, as well as seniors to enjoy.

Erma Shelton
Williamsburg

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Singers had time of their lives at hall

As a 10-year old student at the School for Creative and Performing Arts in 1974, I was selected to sing in the summer opera's children's chorus at Music Hall. A gang of us had the time of our lives that summer, rehearsing for operas like Boris Godonov and Turandot, playing jacks on slippery backstage floors and using the narrow space between up-and-down lobby escalators as makeshift slides. That same year the Nutcracker tradition began, and I spent my holidays dancing as a party child and soldier with the Cincinnati Ballet at Music Hall. We kids all peeked from backstage at the adult dancers and dreamed of being a sugarplum fairy some day.

Although I didn't become a professional singer or ballerina, just an appreciative patron of the arts, I'll always cherish the years I spent backstage at Music Hall.

Kathleen Friel Reinmann
Mount Lookout

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Children's chorus played birds, pilgrims

My earliest memory of Music Hall was in 1927. I was part of the children's chorus in the May Festival. There were six Cincinnati Public Schools represented in which Alfred Hartzel was the music teacher.

We sang the part of the birds in St. Francis of Assisi and of pilgrims in Boris Godunow. It was a thrilling experience and I still have the program.

Now living in a retirement community, I met another resident who said she also was in that chorus, though from a different school. We thought it a happy coincidence that we would meet so many years later.

Mary Ruth Hopper
Sharonville

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Former usher met big-league talent

I've had many favorite memories at Music Hall - most of them because my uncle, Joel Grossman, was head usher for the symphony opera for many years.

I would usher on many Fridays and Saturdays for the symphony and summer opera. I would usher in sections A, B, C or D on the balcony if there was a pianist (so I could see their fingers on the keyboard), or at the opposite end of the balcony for a violinist so I could see them better. The best part of the evenings was at the end, when my uncle would take me backstage to meet the soloists or members of the opera.

The lot of the musical superstars that I met is too big to mention. I really miss those weekends ushering at Music Hall. Now, I am just a regular paying customer with the deepest memories of my uncle Joel.

Les Polasky
Montgomery

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Moment recorded in 1941 diary

I want to share following from a diary I found of my grandmother's from 1941. Her spelling of music is "musik." My grandmother, Marie Rohde Roeben, came to Cincinnati from Germany in 1890.

"May 3, 1941: The weather today was hot and dry. Last evening, May 2, Ruth (one of her daughters) and I went to a rehearsal at the Musik Hall at the invitation of Mrs. Kraus. It was very nice, about 600 children and 400 grown-ups were singing and I don't know how many musicians were on stage. The hall was filled with guests and it sure was very nice. The weather had been 80 degrees, but at night it cooled off.

"May 4, 1941: Margie (her other daughter and my mother) and myself went to the Musik Hall today to hear a May Festival Singing at the invitation of Mrs. Kraus. It sure was fine and we enjoyed it a lot. The temperature was up to 80 degrees again and tonight at 11 o'clock it was still pretty warm."

These aren't specific memories, simply diary entries, but thought readers might enjoy them as I do.

Sally Evans Sovilla
Anderson Township

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Chandelier, staircases are singular treasures

My first remembrance of Music Hall was in 1927, when my aunt took me to see the circus. Other than the awe of the circus and the spacious hall, I always remembered the beautiful crystal chandelier in the center. Then in 1932, I got to experience the enormity of the stage when I sang with a large group of children at the May Fest. In 1938, my high school graduation was held there. Since, I have attended operas, ballets and symphonies and always enjoy the beautiful marble staircases and the crystal chandelier.

Wilma Pfister
St. Bernard

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Wednesday, April 23, 2003

Violin lessons did pay off

Although funds were in short supply during the depression my parents managed to pay for me to take violin lessons in the hopes that one day I would become a concert violinist.

While that never came to pass, something significant happened to me in Music Hall in June 1936. During my Hughes High graduation ceremonies, I had a solo to perform. My sister often recalls that my father had tears in his eyes and said, "It was all worth it." Over the years, I have enjoyed our renown Symphony Orchestra from the time of Fritz Reiner to the present. Our family has seen boxing, wrestling, auto shows, ballet and opera.

Ephraim Roth
Amberley Village

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Youth concert at Hall was rewarding

In May 1982 the Cincinnati Youth Orchestra under Teri Murai had its annual joint concert with the CSO in Music Hall. I was a student of Sigmund Effron, former concert master of the CSO. That year I was co-concertmaster of the Youth Orchestra.

My English teacher, who thought highly of the fine arts, brought the English class to the concert. What a thrill it was to play in Music Hall. To top it all off, for the final piece, Rimsky-Korsakov's Capriccio Espanola, I sat concertmaster and played all the solos. I felt like a real star and so proud to sit where my teacher had sat for so many years on that same stage.

Eva Neighbors Warner
Mason, Ohio

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'Gross' ballet dancer wore panty hose

When I think of Music Hall, one story that always makes me smile is when our neighbors took their three little boys to Music Hall to introduce them to ballet. They had good seats in the balcony near the stage. When the program began, the youngest boy started saying, "Gross, gross." His mother leaned over and whispered, "What's the matter, Tim?" He said, "He's wearing panty hose."

Barbara Wright
Kenwood

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Gallagher was blast at elegant site

Over the past several decades, I've enjoyed scores of sublime events at Music Hall, but my most memorable visit occurred some dozen years ago when the comedian Gallagher took the stage. At the climax of his act, he grabbed a huge mallet and, with a mighty wallop, smashed a big red watermelon. Pulp, seeds and juice sprayed everywhere, as far back as 15 rows. I was surprised that the hall, with its elegant furnishings, would host such a lowbrow event. But not to worry: All seats within range of the fallout had been covered with plastic, as were all of us patrons, having each been issued a thin disposable raincoat. What a blast!

Will Caradine
Forest Park

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Father-daughter dance led to happy memories

I graduated from Mother of Mercy High School in 1971. As a freshman, I heard there was an annual Father-Daughter Dance for the students and their dads in the Music Hall Ballroom.

I was horrified at the thought and figured my dad would feel the same way. To my amazement, he was all for it.

Before we left, my Mom took pictures of us. Dad had a corsage for me and dinner reservations - it was going to be a long night. To my surprise, we had a great time. My dad knew a lot of other dads and to him it was a reunion of sorts.

He started asking about the next Father-Daughter Dance just about the first week of my sophomore year. We went all four years. I think he looked forward to it more than I did.

My dad passed away last summer. I would now give anything to have one more Father-Daughter Dance in the Music Hall Ballroom.

Gayle M. Lear
Finneytown

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Topper Club was big part of Hall

During my parents' courtship in the 1930s many nights were spent at the Topper Club dancing to the big bands. During the 1950s, the big band era was in its twilight, but the Topper Club was still operating on Saturday nights. On several occasions, we dressed in our best and went to dance and listen to waning big band sound.

I particularly remember an appearance by a popular band from my parents time, the "Swing and Sway" Band of Sammy Kaye.

One highlight of Sammy's performance was a contest called "Do you want to lead a band?" Participants were selected from the audience, given a baton and asked to lead the band. Of course, the musicians were programmed to follow the exact movement of the baton.

The resulting band sound was hilarious especially for those would-be baton leaders who lacked a sense of rhythm. I often wonder how that same act would come off today if performed with a current hard rock band. If they gave me that baton now, I would try to hold it absolutely still with hopes the band wouldn't play.

Jack Espelage
Union, Ky.

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Sunday, April 27, 2003

Boys didn't enjoy ballet 'dancing'

About 10 years ago, we took our two boys, Maury III and Brian , to a performance of the Cincinnati Ballet at Music Hall. Both boys had been studying violin for several years, and both were doing very well at it.

They were 9- and 7-years-old at the time. We wanted to introduce them to some of the other offerings of the classical music world. After the ballet, as we were walking back to our car, I asked them, "Well, boys, what did you think of that?"

Little Maury said, "Oh, it was real good, except for all that dancing." Boys didn't enjoy ballet 'dancing'

Maury Mountain, Jr.
West Chester

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Acoustics in Hall second to none

Our greatest realization about Music Hall came actually when we were at Sydney Australia's Opera House. It's an icon of Australia, and a grand building from the outside. Music Hall is a better opera house. It is more elegant and acoustically sound. One does not have to travel around the world to see world-class opera. Cincinnati has a world-class opera venue right here, right now, to enjoy. But, don't take our word for it, visit both - Music Hall is a little closer.

Michael and Melanie Bradle
Glendale

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Beautiful music was made there

I was a fifth-grade student at Carson Elementary School and was selected to participate in the May Festival Children's Chorus. The concert was "The Children of Bethlehem" conducted by Thor Johnson. There were several others in my grade who were selected for the chorus, and we were required to attend classes on Saturday from 9 a.m. to noon at Music Hall.

Every Saturday from November until the performance in May, my mom and I rode the bus to Music Hall. I recall Johnson had a commanding personality. However, he was also friendly and even told jokes during our many practices making it fun.

I will never forget the evening of dress rehearsal. All the many weeks of practice and sacrificing Saturday playtime for hard work finially came to fruition, the children's chorus, the adult chorus and the soloists. I was so amazed and overwhelmed at the lovely synchronicity of all the voices and the majesty of the concert. After the concert was finished, my mom was waiting beside the stage and had tears streaming down her face. She said it was the most beautiful music she had ever heard.

Judy Guilar Floyd
Miami Township

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Looking forward to more performances

I moved to Cincinnati in 1967 and had the good fortune to see Thomas Schippers conduct the Cincinnati Symphony.

As I looked around Music Hall, I never imagined one day I might perform there. Along with other choruses, my chorus sang at Sangerfest (The Seven Hills Sweet Adeline Chorus). We were all impressed with Music Hall.

I've been back often and still get a thrill going there. Having seen many wonderful performances, I hope to see many more.

Ann Neess
Anderson Township

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Tall people now more comfortable

My moments at Music Hall have been more recent, even though I attended several U.C. basketball games there in the '40s.

However, over the last six to seven years, I had many memorable moments - at the rehearsal three days before the performance of the opera Samson and Delilah directed by Artistic Director Nicholas Muni, it seemed there was so much to accomplish. And yet, the performance was perfect, even to the collapsing of the temple.

Other moments include Deborah Polaski singing Electra; and, the Russian ballerina who danced Swan Lake. I watched the crowd mill about at intermission and appreciating the ushers.

The seats were improved about seven years ago so that people more than 6-feet-2 didn't have their knees pressing into the back of the seat in front of them.

With many moments at Music Hall, I have come to realize that it's not just a building, it is an institution unto itself. The people who work at Music Hall, whether it is in the operations of the building or the staffs and officers of the tenants, Symphony, Pops, May Festival, Opera and Ballet, clearly are the most competent and dedicated people one can imagine.

Tom Osterman
Clifton

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Wednesday, April 30, 2003

Dad once played at Music Hall

In 1973 I played violin in the Western Hills High School orchestra. Andrew Brady conducted the orchestra. Brady selected Sandy Batscha and myself to participate in the All City Music Festival, which would be held in Music Hall. I was honored to be one of the few selected from performers from around the city. The All City Music Festival orchestra would be featured and also accompany other performers.

I will never forget going below the Music Hall stage, getting into the pit and, as we started playing, being lifted to stage level. It was thrilling being on stage-the same one the Cincinnati Symphony plays on, and looking out at the audience. This last winter my family and I went to the Nutcracker at Music Hall. At intermission I took my daughters up to the stage area to see where the musicians played in the pit and, of course, once again told them their dad once played there.

Dave Arnold
Colerain Township

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Water pistol kept graduates cool

I received my high school diploma in June 1973 from Oak Hills High School. I was seated on the stage at Music Hall in one of the back rows. A few of my fellow classmates kept us cool with the use of squirt guns. Here's hoping that Willard $weeder, the principal, doesn't read this.

Jan Willen McKibben
Delhi Township

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Symphony played children's entry

I have been so fortunate to experience the Music Hall over the years I have lived in the Cincinnati area. During my fourth-grade year in Ft. Thomas, Ky., I was encouraged by my piano teacher, Lucille Brett Schneider, to submit a composition for the Young People's Composition Contest for the CSO. The director was Thor Johnson.

To my amazement, my composition was one of five chosen to be arranged and played by the symphony during its concert for school children. I proudly sat next to the director's podium as the symphony played my piece for two concerts.

I was also privileged to learn my accompanying skills at Highland Heights School, Ft. Thomas, where I accompanied for Robert Knauf, later one of the esteemed group of conductors of the May Festival Chorus. I attended many concerts at the beautiful Music Hall through my high school years and remember the pomp and ceremony associated with the May Festivals.

Now I find myself as accompanist and assistant director of the May Festival Youth Chorus. It brings back the wonderful years of music I had in high school. It was my tremendous honor to accompany for Dr. James Bagwell, and I am looking forward with great anticipation at performing on the program celebrating the hall's 125-year anniversary.

Marilyn McClain Libbin
Amberly Village

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Violinist uncle got kids backstage

I attended many musical and theatrical venues at Music Hall, but my most memorable was when I was in the third grade and as a group we attended the children's theatre on Saturday mornings.

My uncle, Theodore Wadl, played violin with the Cincinnati Symphony, and on this particular Saturday, the symphony was performing. Much to my surprise and delight I saw my uncle sitting in the violin section. So, I stood up and yelled for all to hear, "Hey, Uncle Teddyl"

My teacher admonished me for my outburst but it paid off because after the performance we (my classmates and I) were invited backstage to meet some of the musicians and Max Rudolph, the symphony conductor at the time. I had no idea how special this Saturday morning would be for me as an adult.

Deedra Wadl Derrick
Highland Heights

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Worthy but not published, April, 2003

The Spirit of Music Hall

Twenty-five years ago, at the wizened old age of 29, having already had so many wonderful memories of Music Hall, I was compelled to celebrate the 100th Anniversary in a special way. I wrote a letter to the Spirit of Music Hall, a sort of time capsule, commemorating some of my visits, as a gift from the heart.

I searched the Hall clandestinely for the ideal spot to hide my offering for the long term, intending to retrieve it on the 125th Anniversary, and discovered the hollow bust of the venerable Conductor Max Rudolph in the main lobby. While attending a concert with my beautiful wife Joyce, I sneaked out before intermission and carefully commended my Spirit letter to Maestro Max. Well, my guile not withstanding, it didn't take long for someone to discover it. A month later I received a long letter on Music Hall stationery, acknowledging my gift and asking me to return in 25 years to celebrate and reclaim my letter. It was signed "The Spirit of Music Hall".

I don't remember everything I put in my time capsule, but I'm sure I recounted my memories as a young teacher at Summit, when I would go down on Friday nights and sit in the cheapest seat on the third level side, and was honored by the smiling, upward glance of the magnetic Thomas Schippers, acknowledging his most humble patrons as he left the podium. Or later, when I proposed marriage to Joyce on bended knee before the statue of Theodore Thomas at the May Fest; or the unforgettable night we were swept away at a concert by the great Artur Rubinstein; or the ethereal dancing of the inimitable Patricia Rozow as the Snow Queen... so many memories before and since.

I was inspired to recount this story by my son Andrew, a student at Miami, who recently attended a performance at Music Hall. He had a picture of himself taken with Max's head, (the Maestro had been moved to the Mezzanine.) He must have remembered the story of the Spirit and Max from years ago. Maybe its time to take the letter back down to Elm Street and redeem it for my time capsule... time to meet the Spirit face to face!

But you know, the Spirit is really all of us. To me, Music hall is a holy place... the Soul of Cincinnati. It is where reality manifests itself in the Arts; where the illusion that we are somehow separate from each other, or Nature, or even God, is at least temporarily, dispelled. Music Hall is a gift to be revered, preserved and passed on.

In the 25 years since, many spent traveling far and wide on business, I don't remember encountering anyone who had visited or lived in Cincinnati that didn't love it here. We are fortunate to live in a very special, beautiful city, and Music Hall is our spiritual anchor. Cincinnati is going to be just fine, the Spirit told me!

Dan Lorey
Hyde Park

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